The series Epidermal planes exemplifies the notion of a plane, understood as a membrane, that is formed as a result of the inflection of material.
Deformation and warpage may have fantastic overtones, as sculptural equivalents they also refer to the formative processes by which straight lines become complex curves and perfect spheres become amorphous blobs. Far from materializing spontaneously, sculpture is deliberately mapped out to elicit association. -Douglas Dreishpoon